Guest review by Colin Ford
Clients blow.
Designers the world over know this to be the unfortunate truth. Clients come to you for your artistic vision and then try to drag your design back into mediocrity by insisting that 12-point Times New Roman be used for all body copy, or that their second cousin thinks chartreuse would be a better color for the packaging.
In an age of Twitter, texting, e-mail and barcodes, the humble postage stamp is in danger of dying out. Yet the stamp has been a tiny canvas for artists and designers to disseminate their work to one of the largest and certainly the broadest of audiences for decades.
I have been doing some moonlighting over at Eye magazine’s blog for their The Form of the Book series.
The Form of the Book is about what books look like – how they are designed, produced and feel more than the content itself.
The subtitle of Dan Roam’s best-selling book, The Back of the Napkinis “Solving problems and selling ideas with pictures” – a reasonable description of what designers do for a living.
Before we begin, I should admit that I think Jessica Hagy is pretty cool and her blog Indexed is not only a regular read, but also one of the things on my far-too-long a list of “things I wish I had thought of”.
